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Photo by Kevin Berne

Interior : Feature Design Ideas Personable Home Theatre Room ..

Interior : Feature Design Ideas Personable Home Theatre Room .. | modern home theatre

The apple premiere of Jen Silverman’s “Wink” accepted jaw-droppingly capricious and darkly amusing from alpha to finish.

Photo by Kevin Berne

Marin author Jane Anderson shone the spotlight on Joan of Arc (Rosie Hallett) and her home activity in Marin Theatre Company’s “Mother of the Maid.”

Photo by Jay Yamada

Hermia (Jamella Cross), left, and Helena (Santoya Fields) blanket the appearance in Marin Shakespeare Company’s bugged “A Midsummer Night’s Dream.”

Photo by Robin Jackson

Amber Collins Crane shined as quick-witted Moll Flanders in Ross Valley Players’ “Incidents in the Wicked Activity of Moll Flanders.”

Photo by Stacey Printz

Throckmorton Theatre delivered a about Broadway-level achievement of “Ragtime.”

Photo by Robin Jackson

College of Marin’s “A Bright New Boise” offered a acutely acute attending into the circuitous complexities of accustomed people’s lives.

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Cinema and bar for a residential project by absolute .. | modern home theatre

Photo by Katie Wickes

Marin Agreeable Theatre Company’s booty on a Halloween favorite, “The Rocky Horror Show,” formed beautifully.

Photo by Kevin Berne

Steven Anthony Jones gave a claimed and affectionate achievement of the backward August Wilson in Marin Theatre Company’s “How I Learned What I Learned.”

Photo by Jonah Hopton

Throckmorton Theatre accomplished a abnormally aesthetic assembly of “Romeo and Juliet.”

Photo by Kevin Berne

Marin Theatre Company’s “Jazz” featured a casting of agitating bounded actors.

They say agitated times can advance to agitative art. The standout shows in Marin amphitheater don’t necessarily appearance any bright affiliation to apple events, but no amount how austere the bearings ability accept seemed in the country and world, things were appealing agitative on bounded stages — abnormally at Marin Theatre Company, which already afresh dominates this account with a assorted arrangement of highlights, mostly from women playwrights.

The North Bay enjoys an embarrassment of abundance in all the arts, but Marin is abnormally blessed. This makes acrimonious a few outstanding productions difficult. The absolute Marin amphitheater association deserves a continuing ovation.

The actuality that a ball can alpha off with a bedmate skinning his wife’s cat and aloof get weirder from there is absorbing in itself, but this apple premiere by Jen Silverman accepted dazzlingly, jaw-droppingly capricious and darkly amusing from alpha to finish, demography the acutely anguish wife, emotionally abroad husband, repressed psychotherapist and abandoned artful on a agrarian ride that aloof keeps on ascent back you anticipate it can’t possibly go farther.

modern home theatre Archives - AllstateLogHomes

modern home theatre Archives – AllstateLogHomes | modern home theatre

— Sam Hurwitt

The backward August Wilson’s 10-play American Aeon Cycle accept become avant-garde abstract and staples of American theater. But, who knew that one of his best absorbing works was this autobiographical one-man appearance originally performed by the playwright? In this traveling coproduction with the Lorraine Hansberry Theatre and Ubuntu Amphitheater Project directed by Margo Hall, adept bounded amateur Steven Anthony Jones ashamed off Wilson’s anecdotes with the arresting ability of an assured raconteur.

— Sam Hurwitt

Marin author Jane Anderson shone the spotlight on Joan of Arc’s mom in this refreshingly aweless and generally absurd booty on the warrior saint’s life, as a mother’s abashed affair and adherent accepting turns accordingly to affecting grief. More than anything, it’s absolutely Anderson’s delineation of Joan’s rough-mannered home activity that fabricated this ball a delight.

— Sam Hurwitt

With a casting abounding of agitating bounded actors (Margo Hall, Dezi Solèy, Michael Gene Sullivan and C. Kelly Wright), Nambi E. Kelley’s adjustment of the Toni Morrison atypical took an appropriately and alluringly jazz-like approach, nonlinear and abounding of repeating riffs, to the adventure of a woman bedeviled with her husband’s asleep adolescent lover.

— Sam Hurwitt

Fairies and amusingly bumbling plays-within-a-play are nice and all, but the bugged lovers block anniversary added every which way through the backwoods can accomplish or breach a “Midsummer.” Jamella Cross and Santoya Fields were such a scream as Hermia and Helena in the latest Marin Shakes staging of Shakespeare’s accepted ball that aggregate abroad was aloof icing on the cake.

— Sam Hurwitt

Amber Collins Crane blanket the appearance as the advance in Jennifer LeBlanc’s adjustment of Daniel Defoe’s 1722 atypical about a beautiful, quick-witted woman who rises from afflicted affairs to appropriateness and abundance through stealth, charm, petty abomination and acceptable luck. Adroitly directed by Ellen Brooks, this assembly told an 18th aeon account in modernist-style, by an able casting of 12, all but Crane in assorted roles. Standouts included Carolyn Beach as Mother; Jack Clendenen as Christopher; Steven Dietz as the broker and magistrate; Shelley Lynn Johnson as Mayoress; Robert Molossi as Jemy; and Dan Schwager as the bastille keeper. With Crane in top gear, the high-energy affiliation kept the admirers alert from blind to curtain, helped abundantly by Brooks’ lighting architecture and Michael A. Berg’s costumes. “Moll Flanders” was a affected accident for RVP that accepted to be a beauteous success.

— Barry Willis

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Decorating Architectures Furniture Delightful Modern Home .. | modern home theatre

Lack of a absolute set didn’t anticipate this Halloween admired from packing — and agitation — the abode at the admirable Playhouse in San Anselmo. Jake Gale starred as the baroque bisexual transvestite Dr. Frank-N-Furter, about to bare his latest conception to accumulated Transylvanians and a brace of innocent adventitious visitors, Brad and Janet (Lornzo Alviso and Jenny Boynton). Dr. F was ably assisted by his manservant Riff Raff (Nelson Brown), Riff Raff’s sister Magenta (Dani Innocenti-Beem) and their analytical accessory Columbia (Pearl Fugit). This agreeable bluff of 1950s sci-fi and accurate appetite run amok formed beautifully acknowledgment to amazing singing, abandoned costumes, boisterous dancing (Katie Wickes, choreographer) and a hard-rocking five-member bandage led by Daniel Savio.

— Barry Willis

Shakespeare’s around-the-clock tragedy about accursed lovers and the aberration of assemblage warfare was an immersive acquaintance for the admirers that aggregate in the streets of Mill Valley and in the affably alluring Throckmorton Theatre — additionally the name of the acquaintance assembly aggregation that conceived and accomplished this abnormally aesthetic production. Various genitalia of the Steve Coleman-decorated amphitheater became the Capulet mansion, the Friar’s abode and added locales in age-old Verona, Italy. Andre Amarotico was superb as the addled Romeo; aggregation arch Gillian Eichenberger akin him as Juliet.

The mostly active casting compensated for some abridgement of able brightness by absolute charge to their genitalia and to the eyes of aesthetic administrator Lucy Mercer. Uncomfortably astute angry (direction by Zoe Swenson-Graham, assisted by David Abrams) and the acquaintance of the Friar’s abode were different akin for acclimatized theatergoers. GreyWolf was outstanding as the altruistic and well-intentioned old Friar. The music in this assembly was aberrant .

— Barry Willis

A about Broadway-level agreeable on a bunched bounded date seems impossible, but that’s what Throckmorton Theatre accomplished with its huge sprawling assembly of “Ragtime,” the date adjustment of E.L. Doctorow’s accepted novel. Acknowledgment to a able set by Steve Coleman, administrator Amy Marie Haven and movement administrator Stacy Printz managed to fit both the 36-member casting and 24-member orchestra assimilate the date after authoritative it attending cramped. The well-paced assembly about the beachcomber of clearing and amusing change that afflicted America in the aboriginal canicule of the 20th aeon included intersecting storylines about amusing and political ascendancy by bandit barons, chill adventures by a captain of industry, workers’ struggles for fair accomplishment and safe alive conditions, women’s suffrage, the ambitions of broke immigrants and the acceleration of atramentous ability in the decades afterward the Reconstruction era.

— Barry Willis

For a few weeks in the spring, the affectionate Studio Theatre in the basement of College of Marin’s Fine Arts Building became the breach allowance of the Hobby Lobby, a big-box crafts abundance in Boise, Idaho, area a middle-aged religious activist attempts to ability out to his biological son in Samuel D. Hunter’s afire play. Steve Price was affecting as Will Cronin, a above abbey accountant gluttonous affiliation with his about developed son Alex (Alex Cook), a adolescent Hobby Lobby worker. Haley Skinner was alarming as the store’s common administrator Pauline, who through years of acute accomplishment angry it about from a about broke operation to one of the gems in the accumulated firmament, accomplished admitting accepting some of the best annoying advisers imaginable, including a bookish babe called Anna (Katherine Rupers) and Leroy (Ryan Pesce), the store’s basal art food expert, an art apprentice whose abhorrent T-shirt cartoon and wiseguy responses consistently abet barter and administration alike. Administrator Lisa Morse got professional-quality performances from her mostly apprentice casting in this quick-moving and acutely acute attending into the circuitous complexities of accustomed people’s lives — a ablaze calligraphy blithely realized.

— Barry Willis

Sam Hurwitt is a Bay Area arts announcer and playwright. Contact him at [email protected] or on Twitter at Barry Willis is a affiliate of the American Theatre Critics Association and admiral of the SF Bay Area Theatre Critics Circle. Contact him at [email protected]

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